Showing posts with label memoir. Show all posts
Showing posts with label memoir. Show all posts

Wednesday, August 13, 2014

Survivor - Euphemism

Bare with me, in the following piece, written in 1999 I allowed myself a long warming up (or barfing as Morris Berman taught us in his U.W. non-fiction workshop) to get to the point. And that's the point I want to make here in 2014, how big a struggle it was, has been and still is (more barfing) to come forward with my own stories. In the fifteen years that have passed, I've moved ahead, I've made progress, I've written my stories, but I'm not "out" yet. 
Adonai, Why? - Jaap van Praag 1955

Thanksgiving - 1999 - Euphemism 

Oblivious to the holiday frenzy, even after years of living in the United States, I traveled to New York City and back to Hartford, Connecticut on the day before Thanksgiving. The Amtrak train rolled into Penn Station with only forty minutes delay, leaving me with half an hour to get to my doctor’s office in Chelsea. Plenty of time to pop in at a drugstore to buy a Christmas gift for my father-in-law. 

Gary’s idea was to present his dad with a pair of good sunglasses, but since his mother had set the limit to twenty-five bucks (for us including postage) I offered to use my thrifty sensibility in finding something fun and useful. I left the store with foot care products for the man in the Lazy-Boy. Translate that household name in any other language and the guy in question would think twice before giving his weight to the backrest, lifting his legs off the ground, to take a leave of absence from the world. English, if not every living language is plentiful with euphemisms. Take "Play Footsie", foot powder promising a playful future for smelly feet, a lotion dubbed "Sole Soother", or a scrub that claims to be "Good for the Sole". 

According to the dictionary, a euphemism is a word or phrase that is less expressive or direct but considered less distasteful, less offensive than another. I say I went to see my doctor instead of shrink, or even psychiatrist. 

On my way back to Hartford I tell the man in the seat next to mine, someone I get vaguely acquainted with during the two hour delay of the evening rush, that yes, I went to the city for my work. "I’m a writer and kind of stuck," I explained. Would he have been the wiser if I had told him I’m a writer and I keep on telling other people’s stories while aching to tell my own?

Yesterday I spent hours on a letter of regret for the man who was coaxed into leaving his comfortable job and home in the Pacific Northwest for a job in the Northeast, which turned out not to be what he’d been made to expect. 

I can take on the voice of the oppressed, the sad and sorry; I write inspired speeches for group leaders, caring letters for adult children to their aging parents, texts for birthday cards and slogans for the local day-care center, but when I talk about myself, words leave my lips, go in one ear and come out the other. 

I read fictional and non-fictional accounts of troubled people, crying my eyes red and sore. I relate to the hardships of abused children and mixed-up adults and still I cannot accept my own fate. 

I tell myself I should not read the books that make me cry. I vow I’ll never move again, for each time I move the lack of a support group, friends and familiar neighborhoods makes me turn to the earliest solace I knew, books. 

Back at the library I read. Stories about people, stories that make me cry, stories that make me believe there’s a beginning, a middle and an end to each tale. Stories about heroes and heroines who learn from their mistakes, or not. 

I continue writing for others, their letters, their outlines, analysis of the stories they write and hope to enter in a contest, but my personal writing is stuck. 

I wonder about writing fiction or non-fiction and immediately tell myself I have no imagination, so fiction is out. And I really want to write my own story as non-fiction, but something holds me back. I don’t know whether I’m paralyzed by shame or fear.

My brain runs onto a dead-end track when I think of the plot lines of my life.

The urge to generalize is strong as a runaway locomotive. Overpowering, hard and cold as steel yet hot with the passion of fire that feeds the engine. I’m afraid to get burned, afraid to be run over, afraid to be shred to pieces, afraid to be left by the side of the track, unrecognizable, a Jane Doe, a Holocaust survivor without a tattooed number on my arm. 

Years ago I was qualified (what a term), as a second generation Holocaust VICTIM. That was in the beginning, while I still lived in The Netherlands. In Europe we were called victims. Then the term survivors came across the ocean, from the United States. 

Survivor, a euphemism for one who was not gassed, burned, nullified, but perhaps just left for dead, or  persecuted. The word victim, as those who knew best proclaimed, would further the victimization and therefore members of the surviving generations had to be called survivors.

Once a week I get on the Amtrak train in Hartford, Connecticut for a three hour ride that will take me to New York City where I visit the office of my doctor. I do so because I do not know what is keeping me … From what? 

In order to find out, I have to go back in time. Back to before Jake made me promise I would never forget his story, the story of our family and our people. Back to before I was born. Back to the time when I was a mere thought on my father's mind.

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This work by by Judith van Praag is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Tuesday, May 31, 2011

Fear of Sharing - Stow it Away


We are afraid of truth, afraid of fortune, afraid of death, and afraid of each other. Our age yields no great and perfect persons. – Ralph Waldo Emerson

The Self Reliance Project I've embarked on requires me to respond to prompts given once a day for 30 days in a row
Today's prompt by Gwen Bell
You just discovered you have fifteen minutes to live.

1. Set a timer for fifteen minutes.
2. Write the story that has to be written.

Fifteen minutes to live? 

My first urge is to pack all my folders, all printed materials in a box, to schlep all the files and folders on the three Macs I work on to the shared Drop-box and dump. Dump everything in the file I share with my husband (is there enough space?). And then what? I'll be dead. Will he care enough, will he have the gumption to do what needs to be done to get the story out that needs to be written?

Needs to be written? Get out of here! It's all been written. I've been writing since 1980 when IDTV director Harry de Winter lend me one of the Brother typewriters that was used in his office on the Kloveniersburgwal in Amsterdam. I'd pick up the machine and a cassette at 5 p.m. on Friday and return it on Monday morning.

At the time I was working on an opera by Milhaud and Cocteau. Juri Voogd, the director introduced me to Harry in Café Frascati. Harry was curious, where did I come from, a Jewish girl in Amsterdam he had never met, that seemed impossible. So I told him I had lived in Amsterdam until age seven, when my parents and I moved out of town, back to nature.

In 1963 "up north" to Allardsoog could be likened to emigrating to Australia. Raised in isolation, in the middle of the fields, without relatives or friends, I thought we, my father and I, were the last Jews. Not unlike The Last of the Mohicans. My father's mother, after whom I was named was gassed in Auschwitz, so was my father's sister Beppie, her husband Simon, and their children. Whether these cousins were boys or girls, and how many there were, I never heard from him.

My father's brother Jacques was killed at sea, he was the cook on a Merchant Marine ship. My dad never talked about Jacques' wife and children, I gathered there were none. The times that Papa called his surviving sibling Marie on the phone, making contact just for me, he'd hang up after a few minutes. They didn't get along. My father wasn't on speaking terms with Maupie (short for Maurits) either. Maupie was my half-brother, my father's son from his first marriage to aunt Poldi. One of my dolls was a gift from her. I only knew handsome Maupie from a photograph.

The alarm just went off, I'm dead and I haven't told the story I need to write, no, that I need to share. Even the threat of death can't make me come to the point. How pathetic is that? 
For me, writing or creating something is not the problem. I've got loads of material that's already written, and believe me I did get to the point. 

Come back you hear! I'm not finished yet!

















This work by by Judith van Praag is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.